Dmitry’s work can be catalogued into the so called classic stenopeic photography, into the found landscapes or into the magic sensation of solitude in which time makes a stop of multiple seconds, characteristic of the stenopeic technique, about which so many artists talk as if it was like a shelter and an escape from reality.

Dmitry’s work conveys calmness and so it can be seen with those substantial changes of perspective in the harbours and those quiet waters; as if he was a fisherman of sensations, who spends long hours letting time pass by in a talk to himself. This author also does it with his camera looking for a nonexistent reality, maybe showing us an imaginary world.